Posts Tagged 'Oise River'

PISSARRO AND SPRINGTIME IN PONTOISE

Factor on the Banks of the Oise 1873 Sterling and Francine Clark Art Institute, Williamstown (MA) PDR 300

Factory on the Banks of the Oise 1873
Sterling and Francine Clark Art Institute, Williamstown (MA) PDR 300

This painting is one of Pissarro’s most famous and well-loved paintings. Fortunately, it lives at the wonderful Clark Art Institute and can be seen by the public. If you go to Paris, take the train to Pontoise and visit the Musée Pissarro. The following blog is taken from my book PISSARRO’S PLACES (pissarrosplaces.com).

One warm spring day, Pissarro took his easel to the banks of the Oise river and made a painting that is archetypical of the Impressionist style: the lavish portrayal of sunlight, the consciousness of the changing weather as gray clouds fill the intense blue sky, the presence of modernity in the new factories lining the banks of the Oise River; and the immediacy of the scene that bespeaks en plein air painting.

The painting itself has a classic composition divided almost equally between the sky and the earth, with the river dwindling away on the right side. The water, still as a mirror, reflects the smokestacks and buildings on the other side and connects them with the freshness of the spring flowers in the right foreground. The factory, a distillery, had just been completed in 1872.

One of the old factories still standing on the banks of the Oise.

One of the old factories still standing on the banks of the Oise.

 

 

The Definition of Impressionism

Factory on the Banks of the Oise, Saint-Ouen-l’Aumône

1873 Williamstown (Mass) Clark Art Institute

 PDR 300

 One warm spring day, Pissarro took his easel to the banks of the Oise River and made a painting that is archetypical of the Impressionist movement. It contains nearly all of the characteristics commonly associated with the Impressionist style: the lavish portrayal of sunlight; the consciousness of the changing weather as grey clouds crowd the intense blue sky; the presence of modernity in the new factories lining the bank of the Oise River; and the immediacy of the scene which bespeaks en plein air painting.

The painting itself has a classic composition divided almost equally between the sky and the earth with the river dwindling away on the right side. The water, still as a mirror, reflects the smokestacks and buildings on the other side and connects them with the freshness of the spring flowers in the right foreground. The factory, a distillery, had just been completed in 1872. The white building with the small smokestack is still there along with a few of the small buildings.

 

 



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