What a wonderful opportunity to study the works of Camille Pissarro. Three outstanding exhibitions –two in Paris and another in Copenhagen. I will be at all three exhibitions before the end of June and will post reviews on this blog.
CAMILLE PISSARRO “FIRST OF IMPRESSIONNISTES”
From February 23 to July 2, 2017
The Marmottan Monet Museum presents, from February 23 to July 2, 2017, the first monographic exhibition Camille Pissarro in Paris for 36 years. Some seventy-five of his masterpieces, paintings and temperas, from major museums worldwide and prestigious private collections, tracing the work of Camille Pissarro, from his youth in the Danish West Indies to large series urban of Paris, Rouen and Le Havre at the end of his life. Considered by Cézanne as ” the first Impressionist ” Pissarro was one of the founders of this group. It is also the only one to participate in their eight exhibitions. Companion and faithful friend of Monet, master of Cézanne and Gauguin, Seurat inspirer, supporter of Signac, Pissarro is a major and essential artist. Polyglot intellectual, committed and militant, listening to the younger generation, his work, powerful and evolving, offers a unique view of the research that has animated the Impressionists and Post-circles of the second half of the nineteenth century.
Musée Marmottan, Paris, France
Pissarro in Éragny: Anarchy and nature
From March 16 to July 9, 2017
In 1884, Camille Pissarro (1830-1903) settled with his family in the village of Eragny, in the Oise. For twenty years, he is alive with his farm and fields of poetry, receiving his friends artists, Monet, Cézanne, Van Gogh and Gauguin. He continued his painting of French rural life and discovers anarchist ideals of the late nineteenth century. The exposure of the Luxembourg Museum traces the recent years, both bucolic and committed to one who is considered one of the fathers of Impressionism.
Exhibition organized by the Réunion des Musées Nationaux – Grand Palais.
Musée Luxembourg, Paris, France
PISSARRO. A MEETING ON ST. THOMAS
Is there a connection between the Danish Golden Age painting and French Impressionism? It will come as a surprise to most that there should exist such a connection. There is, however, a link, as a meeting between the Danish painter Fritz Melbye and the later ‘father’ of French Impressionism Camille Pissarro had a crucial impact on the emergence of one of the most significant movements in art history.
The meeting took place in the middle of the 19th century on St. Thomas in the Danish West Indies. Camille Pissarro was born there as a Danish citizen in 1830 and Melbye, four years older, decided to go to the island around 1850. The two young artists were to spend a couple of years together, developing their artistic skills. This exhibition will display how, contrary to popular belief, Melbye actually took on the role of mentor and teacher to Pissarro thus influencing the latter profoundly.
The exhibition Pissarro. A Meeting on St. Thomas sheds new light on Impressionist history through the artistic heritage passed on from Melbye to Pissarro. The exhibition at Ordrupgaard, which presents a significant amount of paintings, oil sketches, water colours and drawings from around the world, will thus add a new dimension to the understanding of the emergence of French Impressionism.
Ordrupgaard Museum, Copenhagen, Denmark
10 March – 2 July 2017