Posts Tagged 'Impressionist'



PISSARRO’S PLACES in Barcelona–11 November

promo cover

PISSARRO’S PLACES will be the center of attention when I give my slide-lecture at the EXCELLENCE Bookstore in Barcelona, Spain on 11 November at 11:30 in the morning.  This prominent bookstore is partnering with the Barcelona Women’s Network to sponsor the program.  They will offer the book for the remainder of the PISSARRO exhibition at the CaixaForum. If you are in Barcelona, make plans to join us!

PISSARRO’S PLACES

Slide-lecture by Ann Saul

EXCELLENCE Bookstore, C/Balmes, 191,Barcelona

11 November, 11:30 am

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DO-IT-YOURSELF — PISSARRO EXHIBITION — THIS WEEKEND IN NEW YORK!!

Banks of the Loing at Moret, 1901, PDR 1369 Sothebys, Lot 39

Banks of the Loing at Moret, 1901, PDR 1369
Sothebys, Lot 39

When Christies, Sothebys and Bonhams have their semi-annual sales of Impressionist paintings, you never know what you’ll see!  This is your chance to see the paintings up for sale. Most of them are from private collections and may not have been seen in public for a long time.  Likewise, when the hammer falls on the auction block next week, most of these paintings will go back into private collections. We can only hope that the new owners will graciously share them for future exhibitions.

SEE THEM FOR YOURSELF!

Organize your own exhibition around the seven Pissarro oil paintings on view this weekend — all of them outstanding.  Save the most time for Sotheby’s—they have five paintings on view:  Lots 35, 39, 42, 44 and 58;  Christies is offering one painting, Lot 44, and Bonhams has one spectacular painting Lot 23.  All seven are shown in this blog.

AND THERE’S A SPECIAL BONUS ON SUNDAY AT BONHAMS!

Pissarro, An Artist for the 21st Century, A lecture by Patricia Mainardi, PhD

2:00 pm on Sunday, 3 Nov 2013 at Bonhams, 580 Madison Avenue between 56th and 57th Streets

They request an RSVP by Nov. 1 events.us@bonhams.com  +1 212 644 9143

Here are the other paintings. They may look nice on the screen, but nothing compares with seeing them in person!!

The “Englishman’s House,” Eragny, c. 1902, PDR 1465 Sothebys, Lot 44

The “Englishman’s House,” Eragny, c. 1902, PDR 1465
Sothebys, Lot 44

The Hills at Thierceville, Haystacks, 1897, PDR 1189 Sothebys, Lot 42

The Hills at Thierceville, Haystacks, 1897, PDR 1189
Sothebys, Lot 42

 

A Meadow at Eragny, 1886, PDR 829 Sothebys, Lot 35

A Meadow at Eragny, 1886, PDR 829
Sothebys, Lot 35

 

The Seine in Flood, Pont Boieldieu, Rouen, 1896, PDR 1120 Sothebys, Lot 58

The Seine in Flood, Pont Boieldieu, Rouen, 1896, PDR 1120
Sothebys, Lot 58

 

Landscape with Houses and Wall, Eragny, 1892, PDR 968 Christies, Lot 44

Landscape with Houses and Wall, Eragny, 1892, PDR 968
Christies, Lot 44

 

The Garden at Maubuisson, Pontoise, 1882, PDR 696 Bonhams, Lot 23

The Garden at Maubuisson, Pontoise, 1882, PDR 696
Bonhams, Lot 23

 

 

 

 

 

 

 

 

 

 

 

PISSARRO–Madrid’s Exhibition–An Extraordinary Experience

Essen snowfall

Chemin des Creux, Louveciennes, Snow, 1872, PDR 219

Museum Folkwang, Essen, Germany

This incredibly beautiful Pissarro landscape from Louveciennes was one of the major highlights of PISSARRO, the exhibition at Museum Thyssen Bornemisza in Madrid. This reproduction, taken from the Museum Folkwang’s website does not do it justice. The weak winter sunlight provides little warmth on the gleaming white snow, with its shades of blue and pink. The deep shadows are delicate shadings of blues, grays, mauves. The old tree’s rotten center is filled with snow and your eye gets lost in the graceful tangle of small branches.

The entire exhibition, which began with Pissarro’s last self-portrait, was as carefully composed as one of his paintings–arranged chronologically, many times in pairs that enhanced the experience of each work. While the selection of 79 paintings included many well-known paintings, there were also some delightful surprises.

The museum’s own Route de Versailles was carefully paired with a similar painting from the High Museum in Atlanta. Two of Pissarro’s most beautiful paintings from London 1871 were together, the field near Sydenham Hill and Dulwich College. Two landscapes of l’Hermitage at Pontoise were similar locations but displayed strikingly different techniques. Another exceptionally wide painting of 1877 from Ottawa, Canada, displayed a composition that is sparse and modern-looking for its time.

A pair of very wide landscapes, two very different versions of the crooked apple tree in Pissarro’s orchard, similar views of the garden wall were among the paintings from Eragny.

Imagine my surprise when I saw the two paintings from Pitti Palace in Florence that I wrote about a few months ago. What a treat to see them again, this time close up and at eye level.

The city views featured two versions of Boulevard Montmartre paintings, the museum’s own Rue Saint-Honore paired with the same motif from Copenhagen. An exquisite selection of Rouen paintings featured the bridges, the Seine, the boats and the changeable weather.

Mind you, these galleries were not hushed and quiet, and people did not parade around the room in a slow shuffle like they usually do.  There was an excited buzz in the air as people looked first at one and then the other and then back again. Some visitors were going back into previous rooms to compare earlier and later works, or landscapes with cityscapes. Viewers were spending time in front of paintings, looking closely, walking up to see brushstrokes and back to embrace the unity.

Pissarro must be smiling.

PISSARRO’S PLACES is on sale in the bookstore of the PISSARRO exhibition in Madrid.  I had the honor of signing books for several people who bought them on the day I was there.  What a pleasure to meet each of them and share thoughts about Pissarro.

Readers of this blog can obtain a copy of PISSARRO’S PLACES at Amazon.com or the Barnes & Noble website.  A special price for friends of this blog is available at the book’s website:  http://www.pissarrosplaces.com.

PISSARRO IN SPAIN — THIS SUMMER–IT’S PISSARRO!

CTB.1993.9

The Orchard at Éragny, 1896, Carmen Thyssen-Bornemisza Collection on deposit at Museo Thyssen-Bornemisza, PDR 1134

AN EXTRAORDINARY EXHIBITION IS OPENING IN JUNE IN MADRID!!  Perhaps the gorgeous painting shown above will be among those in the exhibition at the Museo Thyssen-Bornemisza.

Here’s the full story from their superb English website (http://www.museothyssen.org/en/thyssen/home)

Pissarro

From 04 June to 15 September 2013

In the summer of 2013 the Museo Thyssen-Bornemisza will be presenting the first monographic exhibition in Spain on the Impressionist painter Camille Pissarro (1830-1903). A key figure within Impressionism (he wrote the movement’s foundational letter and was the only one of its artists to take part in all eight Impressionist exhibitions from 1874 to 1886), Pissarro was nonetheless eclipsed by the enormous popularity of his friends and colleagues, in particular Claude Monet. The exhibition includes more than 70 works with the aim of restoring Pissarro’s reputation and presenting him as one of the great pioneers of modern art. Landscape, the genre that prevailed in his output, will be the principal focus of this exhibition, which offers a chronologically structured tour of the places where the artist lived and painted: Louveciennes, Pontoise and Éragny, as well as cities such as Paris, London, Rouen, Dieppe and Le Havre. While Pissarro is traditionally associated with the rural world, to which he devoted more than three decades of his career, at the end of his life he shifted his attention to the city and his late output is dominated by urban views. Curated by Guillermo Solana, this exhibition will subsequently be shown at the CaixaForum, Barcelona.

THE TIMING IS EXCELLENT TO SEE PISSARRO AND THE PORTS IN LE HAVRE, FRANCE AND PISSARRO IN MADRID, SPAIN THIS SUMMER.

 

PISSARRO–LOVED BY PEOPLE WORLDWIDE

This blog about Impressionist Camille Pissarro (artbookannex.com) has just counted 300 readers in less than two months! Readers include art lovers from 19 countries—Argentina to the US, and five continents. Most (84) are in the US, with France coming in second (39), but the list also includes Serbia, Singapore, Lithuania, and Thailand.  Thank you so much, merci beaucoup, and in every other language for sharing our thoughts on the beautiful, interesting, and often puzzling art of Pissarro.

Ann Saul, art writer

 

CARACAS, VENEZUELA–THROUGH PISSARRO’S EYES

Bridge at Caracas, 1854

Washington DC, National Gallery   Watercolor

 

This watercolor of a stone bridge in Caracas focuses on the carefully described archway in the center. Through the arch, we see the foothills of the mountains beyond. As he does in later pictures of bridges in Rouen, Pissarro shows people on the bridge and others in the valley below, which establish the height of the bridge. The density of the graphite strokes underneath the watercolor, faithfully depicts the solidity and magnitude of the rocky hillsides.

To portray the different facets of the rock, Pissarro uses parallel strokes, most evident on the left side where the color is lighter. They closely resemble the natural layers found in rock and provide a strong contrast to the blocks of stone used to create the arch of the bridge. The skill he displayed in this simple watercolor demonstrates that Pissarro was a highly competent artist long before the birth of Impressionism.

 



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